PSP introduces more saturation by increasing the input, whereas GSatPlus lets you simply increase the harmonic content and control the sound with the character function.īoth let you affect the left, right, or stereo signal, but the GSatPlus also offers mid and side processing. PSP Vintage Warmerįor this comparison, the Vintage Warmer is going to offer much greater control, but GSatPlus should let you achieve something similar. Listen to an Example ➜ YouTube Link GSatPlus vs. Let’s listen to both with identical bands, and notice how they behave very similarly. The NOVA offers the added benefit of controlling the band’s attack and release, but whereas both let you trigger your bands with an external side chain, the Pro-Q 3 lets you do this on a band-by-band basis. Both let you expand or compress, and alter the Q and threshold of each band. TDR NOVA offers 4 bands of dynamic EQ, with static high and low pass filters as well - the Pro Q-3 offers up to 26 dynamic bands but this is probably overkill in most situations. Listen to an Example ➜ YouTube Link TDR NOVA vs. Let’s take a listen to both, using similar-sounding presets. Granted, the FF Pro-R has the option to equalize the reflections with 5 bands, whereas Supermassive only has 2, it’s still impressive how much you can do with it. If we go to the presets of Supermassive, we’ll find options that are much closer to the sound of the Pro-R. FF Pro-RĪlthough Supermassive is capable of really outlandish sounds, whereas the FF Pro-R has a more realistic sound, there’s still a lot of overlap. Listen to an Example ➜ YouTube Link Supermassive vs. Let’s listen to both using identical thresholds. Loudmax seems to have a fixed release time and the option for true peak detection. The primary difference is that L1 has a variable release and program-dependent option. Loudmax by Thomas Mundt and L1 by Waves are 2 very similar plugins - they both introduce automatic makeup gain when lowering the threshold, and a clipper to attenuate peaks before they exceed 0dB. Listen to an Example ➜ YouTube Link LoudMax vs L1 Let’s take a listen to both and notice how fresh air can more easily create a bright and airy sound. However, this is pretty easy to accomplish with just about any parametric EQ, or in this case Fresh Air by Slate digital which offers 2 air bands.Īlthough the Maag EQ also offers lower frequency bands, if you’re looking to add air, Fresh Air is a better option. The Maag EQ is known for its airband, with which you can amplify the highest frequencies in your mix. Listen to an Example ➜ YouTube Link Fresh Air vs. They use slightly different methods of upward compression, resulting in slightly different sounds, so let’s take a listen to both. OTT offers 3 bands of upward compression, whereas MV2 offers 1 full-range band. If you’re looking to compress your signal from the noise floor up, there aren’t many upward compressors, even when it comes to paid plugins - but both OTT by Ofer records and MV2 by Waves are good options. Both versions of thé CLA-76 ('Blacky' and 'Bluey') provide the superfast attack (as quick as 50 microseconds!) that produced the originals facilities legends.Get a FREE Mastered Sample of Your Song ➜ The CLA-76 Blacky amp Bluey had been influenced by two independent variations of a stalwart mid-'60s Class A line-level limiting amp. Place the tools of a popular maker/engineer to work on your trails You'll get the big sounds you desire with thé CLA-76 Blacky amp Bluey.Use the CLA-3A new for openness and quick response.Get traditional tube data compresion with thé CLA-2A new.Place the equipment of a legendary maker/engineer to function on your paths.Make use of a genuine hitmaker's i9000 tools to obtain your very own great noises, with the CLA Vintage Compressors package deal! Waves CLA Classic Compressors Plug-in Bunch at a Look: Expertise the Surf CLA Classic Compressors plug-in deal - a stellar collection from Chris Lórd-Alge and Waves! You listen to Chris Lord-Alge's i9000 work practically anytime you convert on a radio stations, and right now, you can use some of his favorite equipment of the business - comprehensive with many of his individual presets! CLA Common Compressors provides you a set of incredible compressors and ranking up amplifiers patterned on recording studio classics from thé '60s and '70s, with the added control and versatility of contemporary plug-ins.
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